In the next instalment of our Emerging Talent Series, guest writer Eva Ramirez speaks with Lukas Klimcak, founder of Czech-based glassware brand KLIMCHI. They discuss the influence of his upbringing and how he has combined his family’s roots with his own signature style to create a business that is exciting and progressive while remaining true to the artisanal origins of the craft.
Books, maps, and globes are all areas that generate emotion for any interested buyer and Daniel Crouch is keenly aware of these connections. He invests an incredible amount of time creating experiences for his clients that will invoke a reaction or recreate a memory. When his gallery exhibited at The European Fine Art Fair, Maastricht in 2019, they brought virtual reality glasses and every person felt the elation of jumping into a map of Amsterdam or Paris. It’s not a gimmick; it makes this world breathe before a viewer’s eyes, creating more excitement and evoking further thought. Daniel relishes the opportunity to bring this to viewers and either open those feelings or start making new ones.
If you can’t visit Patrick Heide at an art fair or in his space on London’s Church Street, then the best place to talk about his gallery is standing outside of a small corner coffee shop, sipping a hot drink. The gallery works extensively and intensely to promote its artists with exhibitions and art fairs all over Europe, so you can see that Patrick is used to talking about the artist’s and their medium, no matter the setting. Though he is measured and rational, it is obvious that he has true passion for his work. He cares deeply about the conversations these artworks, and specifically this medium, can instigate and consistently looks forward to inviting those exchanges.
With her background in history of art and a resume that includes Christie’s and now Nicholas Hall, it is very easy to talk to Yuan Fang about pictures. Visit the gallery’s booths at art fairs or one of their expertly curated exhibitions in New York and you will see that she is eloquent and observant. But it is much more fun to talk to her about the work that she does to bring Old Masters to new viewers. She creates projects, curates exhibitions, and works with international scholars to educate audiences on how they too can connect with images that may not be immediately familiar. Of course Yuan loves art, that goes without saying, but it’s easy to see that she also enjoys the spark of a viewer realising that they have learned something new.
Freya Bramble-Carter has been immersed in the world of ceramics from a young age, communicating her thoughts, feelings and interpretations of the world around her through the tactile medium since she was a child. Under the masterful eye of her father Chris Bramble, whom she cites as one of her biggest inspirations, she has made a name for herself within the industry, garnered the attention of influential press and collaborated with the Tate Collective amongst other industry titans. When she's not firing pots in the London studio she shares with her father and fellow ceramicist, she is teaching others to do so through her group and one-on-one workshops, Freya's Clay Club.
William McLure moves comfortably between inventive interior designer and talented artist. He works on his own properties and constructs beautifully chic spaces that fit his extroverted personality with taste and sophistication. With his artwork, he operates with the very Renaissance-era concept of being commissioned to create, but you would be mistaken if you thought that this limited his creativity in any way. He achieves inspired imagination within the parameters of what his clients request and accomplishes an unwavering balance of structure, volume, and colour.
Walk into Peter Finer’s showroom at 38-39 Duke Street, or onto one of their stands at an art fair and his son, Redmond Finer, will be your guide, transporting you to a world of courts and ceremony, presentations of royal gifts, and weapons representing honour and prestige. His knowledge is so vast and his explanations are so detailed that you will see the history of the arms and armour unfold before you. He is an exceptional combination of passionate dealer mixed with master storyteller and transmits his enthusiasm with ease and fervour.
Trying to describe Flavio Gianassi in one paragraph is impossible, especially for someone like me who has worked closely with him for almost fourteen years. I have written draft after draft of this introduction and none of them capture his dynamic personality or his curious nature. So, here is my attempt: Flavio is sure to see every museum or gallery exhibition, every auction house preview, and every art fair because he is dedicated to absorbing as much visual detail as possible. He is tireless in his pursuit of engaging with every detail so that he can recall it from his sweeping memory. And whenever someone asks me, as many have over the years, ‘where does he get his energy from?’, my answer is simple: ‘he is committed to finding beauty in all that he sees and does’.
It is very difficult to engage in a conversation about contemporary British sculpture without examining Nick Hornby. With commissions all over the world and pieces that stand beside Barbara Hepworth and Auguste Rodin, it would be easy to understand if Nick were engrossed in the pretentious world that can capture a talented young artist. Instead, he is calm and speaks in a rhythm that is pensive and precise; because the truth is that he is interested in the experience of reflection and learning from his audience.
If you ever have the pleasure of visiting Adrian Sassoon’s stand at an art fair, you will be transported into a celebration of artists and their treatment of materials. Whenever I have seen his displays, I notice that Adrian constantly handles his artist’s pieces. It’s not that he is overly tactile, but rather that he feels responsible for, and connected to, the mediums that his gallery represents. This translates to the gallery holding a reputation for their extremely high standard. He is also one of the few dealers who brings his artists to his art fair stands because he believes that the artist should be explaining their own craft. This all illustrates that Adrian has what is, in my opinion, a rare yet treasured quality in the art world: he likes to listen.
Ossad Art Management is a bespoke registrar and art transport consultancy, working with galleries, private collectors, art advisors, artists, and interior designers. We caught up with Founder Tova Ossad, who has fifteen years of experience importing and exporting art in the United Kingdom, Europe and the United States.
Aiveen Daly is a multidisciplinary artist, upholsterer and designer who works with top interior designers and architects worldwide to provide specialist finishes and embellished surfaces.
This chic, spacious villa in Mallorca is a classic yet modern holiday home with breezy interiors that immediately bring about a sense of calm and relaxation.
Panel discussion on the logistical, business and ethical factors interior designers should be considering beyond just the purchase of an artwork, in this ever-changing world of Pandemics and Brexits.